I decided to break up the symmetry of the image and sketch a shorter horn on the left. I also wanted the horn to twist at a different angle making it look more natural. I've been sketching the image with a mechanical pencil, laying a sheet of paper over the sketch so as not to smudge it.
I like the asymmetry of the horns and it doesn't detract from the overall image, I think it strengthens it by adding more interest. The head does look a little 'empty' though, I think it needs some eyes to give it more character.
I'm not worried about the anatomical accuracy, the fact that the eyeballs are floating in the sockets, it's the imagination behind the image that's important to me. I am aware that the eyes do need to look like they belong to the skull though, that it can actually see, rather than it looking as if the eyeballs have just been placed into the skull.
From the outset I've seen this head in my mind's eye in a very dark setting with a strong light, probably influenced completely by my love of chiaroscuro - the strong contrast between light and dark creating a strong sense of three-dimensional form and drama. I love the eyeball - it looks really solid, like you could pick it up with your fingers!
Using a black Biro pen I create hatching and cross-hatching lines with a light touch on the paper where the light hits and building darker and darker layers of lines where the shadows are deepest. The white of the paper is left bare where the light is strongest.
I still haven't finished sketching the details on this image, I'm still deciding what will fill the open mouth, but the shading I've added has no impact on that part of the sketch. There's a lot of work still to go into this drawing but time's not being kind to me at the moment! I shall return to it another day.